Capos (cejillas)

Here are some of the capos (cejillas) I have used over the years:

 

Victor's capos

OR

Pencil capo

Tip:
If your capo breaks or if you lose it you can try the pencil and rubber band trick. Although it’s not the greatest, if you put something like fabric or soft cardboard between the pencil and the strings it actually works.You will look like a bit of a dork but playing for a singer is usually worth it!

The first one was an onyx-like plastic which was very much in vogue when I started playing in the late 1960s. Despite the fact that it was an absolute dog as a capo, I felt very flamenco – muy autentico – since no one else here in Vancouver had one. The problem with these was that it was easy to tighten it too much until the string broke or the  peg would get stuck and nothing could free the damn thing! The other problem was that some of them came without a cover to protect the neck of the guitar from getting marked up. Playing my first paid gigs made me nervous enough – having my cool-looking capo get stuck or breaking it really cranked up the stage fright a notch or two. After a couple of years I graduated to the same model – this time made of wood, which was a definite improvement – but still with the same flaws. The one I have used the longest is the Jim Dunlop model, which truly had a new and original design at the time and I thought that any future attempts to improve on this design would be a pointless exercise.

That is, until I ran across the Shubb model. I was so impressed that I sent the following e-mail to creator Jim Shubb:

From: Victor Kolstee
To: Shubb
Subject: S2 Capo

After doing something for more than 40 years it is easy to convince oneself that we know everything. I started playing flamenco and used the traditional capo with the nylon string and peg. The string would break often, the peg would get horribly stuck – so when Jim Dunlop came out with his model I was very happy. Since I thought that this, in fact, was a better mousetrap, I stopped looking at other options.

Recently we did a show with a guest guitarist from Spain who showed me his capo, a Shubb, and told me how much he liked it. Of course, I was very skeptical since I already owned the best capo ever invented! To really make his point, he went out and bought me one which I used for our concerts. It was a show with many capo changes and I have always had to make tuning adjustments in between numbers. This time it was an incredible experience to move my capo (even up at the 9th fret!) and I never had to re-tune or make any adjustments whatsoever. None – zero!

Thanks for the great product – one which I will highly recommend to others.

Victor Kolstee

From: Shubb
To: Victor Kolstee
Subject: Re: S2 Capo

Victor,

Thank you so very much for the testimonial. It sounds almost like a commercial for Shubb capos!
I have been making these capos for almost as long as you have been playing, and over the years I have received many compliments.  I never, ever get tired of hearing them. To me, this is the best part of being in this business.

Rick Shubb
Shubb Capos
www.shubb.com

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This entry was posted on Wednesday, August 11th, 2010 at 17:35 and is filed under Flamenco Article. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.